“Making this film was a calling, an effort to wake up people to the danger of our times and to help them understand that, as Americans, we have the capacity to face this deception and become the liberty-minded nation we’ve always thought we were.”Charles Ewing Smith

By Marti Hopper, Ph.D.
Architects and Engineers for 911 Truth
Jan. 27, 2017

Two years ago Hollywood sound editor Charles Ewing Smith revisited the unused footage of the psychology professionals whose interviews appear at the end of the documentary 9/11: Explosive Evidence — Experts Speak Out (ESO).

Having been co-executive producer and co-editor of that film, Smith was already well acquainted with the footage. As he replayed the extensive comments that had been cut, he found in these social scientists’ voices a compelling message that he felt needed to be shared with the world.

So in January 2015 he began a personal quest to make a documentary that would capture the essence of their insights. His vision became a reality last year. The Demolition of Truth: Psychologists Examine 9/11 was completed in July 2016 and was subsequently made into a DVD, which is now available in the AE911Truth store.

Plaudits have already started pouring in. Among the first to hail the film was Shari Bernson, executive producer and director of development for Colorado Public Television (CPT12), who arranged for the PBS affiliate to air it during a fundraising week. In August 2016, CPT12 premiered a condensed version — 40 minutes shorter than the 1-hour, 48-minute full-length documentary.

Bernson makes a convincing case for having run the film on her public television station. “The Demolition of Truth: Psychologists Examine 9/11 takes the discussion of questioning the official story of 9/11 to a whole new level,” she says. “The documentary takes on an uncomfortable subject and brings it into the light, exploring how individuals and communities can heal and move forward.”

Subsequent to that showing, The Demolition of Truth’s next public venue was the 9/11 Truth Film Festival in Oakland, California, where it had its theatrical world premiere three days before the 15th anniversary of 9/11.

Then, at the sixth annual Metropolitan Film Festival of New York City, held last December, the film had the honor of being named “Best Documentary Feature.”

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